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God of High School: When a record-breaking webtoon got lost in anime translation

Yongje Park's 'The God of High School' webtoon captivated global audiences with its blend of martial arts, mythology, and emotional depth. While the anime adaptation by Crunchyroll and MAPPA promised much with its stunning visuals, it faltered by rushing through crucial plot points. This left viewers disconnected from character development and the rich narrative.
God of High School: When a record-breaking webtoon got lost in anime translation
The God of High School started as a groundbreaking webtoon that took readers on a thrilling martial arts journey infused with mythology and emotional depth. However, its anime adaptation failed to capture the same magic, rushing through story arcs and losing the essence that made the original so loved. This article explores what went wrong and why fans still hold on to the webtoon.

A webtoon that took the world by storm


The God of High School, created by Yongje Park, quickly became one of the most popular webtoons of all time. It blended high-octane martial arts, mythical powers, and deep-rooted lore into a story that captured readers across the globe. With unique characters like Jin Mori, Han Daewi, and Yu Mira, the series combined action with emotional storytelling, offering fans both thrills and heart.
A webtoon that took the world by storm

The webtoon’s success was no accident. Its pacing allowed time to explore each arc, develop relationships, and slowly build its massive world filled with gods, demons, and ancient organizations. It broke readership records on platforms like LINE Webtoon and became a symbol of Korean webtoon excellence.

An anime that burned too fast


When Crunchyroll and MAPPA announced the God of High School anime in 2020, fans were thrilled. MAPPA’s reputation for stellar animation raised hopes. And visually, the anime delivered—fluid fight scenes, bold colors, and dynamic camera work. But sadly, the anime tried to cover too much, too fast.
Instead of pacing the story like the webtoon, the anime rushed through multiple story arcs in just 13 episodes. Crucial backstories, character motivations, and world-building were trimmed or cut entirely. What took hundreds of webtoon chapters to build was squeezed into a single cour.
This left viewers—especially those new to the story—confused and disconnected. Important emotional beats didn’t land, character development felt shallow, and the overall narrative became hard to follow. Despite the gorgeous visuals, the heart of the story was missing.

Where it stands now

Where it stands now

While the webtoon ended in 2023 after a long and impactful run, the anime has not received any updates or confirmations for a second season. Fans continue to recommend the webtoon as the best way to experience the full scope of the story.
The failure of the anime isn’t due to lack of potential—it’s a lesson in why adaptation needs time, care, and attention to the source material. With the rise of Korean webtoons in mainstream media, there’s hope that God of High School could someday return with a fresh take—one that does justice to the story millions fell in love with.
Until then, the webtoon remains the truest version of this epic tale, and a reminder that sometimes, slower storytelling wins the race.
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TOI Entertainment Desk

The TOI Entertainment Desk is a dynamic and dedicated team of journalists, working tirelessly to bring the pulse of the entertainment world straight to the readers of The Times of India. No red carpet goes unrolled, no stage goes dark - our team spans the globe, bringing you the latest scoops and insider insights from Bollywood to Hollywood, and every entertainment hotspot in between. We don't just report; we tell tales of stardom and stories untold. Whether it's the rise of a new sensation or the seasoned journey of an industry veteran, the TOI Entertainment Desk is your front-row seat to the fascinating narratives that shape the entertainment landscape. Beyond the breaking news, we present a celebration of culture. We explore the intersections of entertainment with society, politics, and everyday life.

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