‘Veera Dheera Sooran’ box office collections day 2: Vikram’s film maintains momentum, earns Rs 6.65 crore

Vikram's action-packed film 'Veera Dheera Sooran' collected Rs 3.25 crore on its second day, totaling Rs 6.65 crore. The Tamil Nadu and Telugu markets showed strong performance, with the opening day bringing in Rs 3.4 crore. The film, featuring Vikram, S. J. Suryah, Dushara Vijayan, Siddique, and Suraj Venjaramoodu, is expected to grow over the weekend. With a 3-star rating from ETimes for its gripping storyline, viewers may be enticed to watch the film, especially encouraged by positive word-of-mouth.
‘Veera Dheera Sooran’ box office collections day 2: Vikram’s film maintains momentum, earns Rs 6.65 crore
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Vikram’s ‘Veera Dheera Sooran’ is holding steady at the box office, collecting Rs 3.25 crore on its second day, taking its total to Rs 6.65 crore. The action-packed film, which marks Vikram’s big comeback, saw a consistent performance across Tamil Nadu and Telugu-speaking regions.

Day-Wise Collection Breakdown

According to the Sacnilk website, the film opened with Rs 3.4 crore on day 1, driven by the Tamil version’s Rs 3.1 crore contribution. On Day 2, the collections remained close to the opening day figures, with Rs 3.25 crore recorded.
Veera Dheera Sooran Movie Review

Occupancy Trends

‘Veera Dheera Sooran’ had a Tamil occupancy of 27.02% on Friday, with the highest turnout in night shows (39.16%). Telugu occupancy stood at 17.07%, with Hyderabad leading at 15.5%. In Telugu markets, Vijayawada recorded the highest turnout at 20.5%.
Veera Dheera Sooran | Song - Ayla Allela (Lyrical)

Cast and Review

The film features an ensemble cast, including Vikram, S. J. Suryah, Dushara Vijayan, Siddique, and Suraj Venjaramoodu. With the weekend ahead, Veera Dheera Sooran is expected to see growth, especially with positive word-of-mouth. ETimes gave the film a 3 star rating out of 5 and our review reads, “The film would have remained unique and engaging (and also justifying the Part 2 in the title) if Arun Kumar had trusted his audience and chosen to show us only the events that unfold during this one night. Perhaps he felt breaking the convention of providing a flashback would be too risky a move, but the director decides to give us the back story (at least the portions that matter), including the ‘Sudhakar sambavam’. This is where the film begins to lose its individuality as the back story that we eventually get doesn’t match with what we have all built up in our heads all through the first half; rather, it just feels so routine! The film does recover from this minor setback when it gets back to the present with an ambitious one-shot set piece (shot with dynamism by Theni Eswar, whose night-time cinematography is one of the film’s strong points) that begins with a group of characters discussing who among them could be the black sheep and moves on to a shootout between cops and gangsters, and then to a heroic moment.”
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